A prominent calligrapher named Muḥammad Shafī‘ Qazvīnī (d. ca. 1750), known as Khalīfat al-Khulafā' (Regent of Regents) copied this manuscript of the Mas̲navī-i Ma‘navī (Spiritual Couplets) by Jalāl al-Dīn Rūmī. The son of ‘Abd al-Jabbār (d. 1654–55), a leading student of the preeminent Safavid master of nasta‘līq script, Mīr ‘Imād al-Ḥasanī (d. 1615), he ultimately served as librarian to Shāh ‘Abbās II (b. 1632, r. 1642–1666) in Isfahan, but then after the death of his father retired to Qazvin, where he completed this manuscript in 1105 AH (1693 CE). Originally comprised of six separate booklets that subsequently suffered severe damage, then subsequently restored, with numerous quires replaced, losses expertly infilled, and incomplete passages re-written in two different hands then rebound, efforts likely due to admiration for the scribe. It also contains a seventh apocryphal volume added when last restored.
description
A prominent calligrapher named Muḥammad Shafī‘ Qazvīnī (d. ca. 1750), known as Khalīfat al-Khulafā' (Regent of Regents) copied this manuscript of the Mas̲navī-i Ma‘navī (Spiritual Couplets) by Jalāl al-Dīn Rūmī. The son of ‘Abd al-Jabbār (d. 1654–55), a leading student of the preeminent Safavid master of nasta‘līq script, Mīr ‘Imād al-Ḥasanī (d. 1615), he ultimately served as librarian to Shāh ‘Abbās II (b. 1632, r. 1642–1666) in Isfahan, but then after the death of his father retired to Qazvin, where he completed this manuscript in 1105 AH (1693 CE). Originally comprised of six separate booklets that subsequently suffered severe damage, then subsequently restored, with numerous quires replaced, losses expertly infilled, and incomplete passages re-written in two different hands then rebound, efforts likely due to admiration for the scribe. It also contains a seventh apocryphal volume added when last restored.
Description
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