Vimānavatthu: Ola leaf Manuscript in Sinhalese characters in a good state of preservation. Handwriting clear and large. Leaves 122-140 (numbered chḹ to jai), this is the sixth work in the bundle containing 11 texts (Pali MSS 18-28) from the Khuddakanikāya (Minor Collection or Collection of Little Texts): Khuddakapāṭha, Dhammapada, Udāna, Itivuttaka, Sutta-Nipāta, Vimānavatthu, Petavatthu, Theragāthā, Therīgāthā, Jātaka, Paṭisambhidāmagga. The text starts on the obverse of leaf "chḹ" [= folio 122a] and ends on the jai [= folio 140a] in all 37 folios. It commences with P?thavim?navatthu and ends with Serissakai-vim?navatthu (VII, 10). The last poem VII, 11 cannot be traced. Folios are not numbered; character numerals following the Sanskrit alphabetical order are used for numbering and these are written in the left-hand margin on the obverse of the leaf. Size: 70 mm x 620 mm, with margins 147 mm left and right, each folio with a single string through twin holes in each leaf holding them together, with two lacquered dark brown wooden boards as covers for all eleven manuscripts.
description
Vimānavatthu: Ola leaf Manuscript in Sinhalese characters in a good state of preservation. Handwriting clear and large. Leaves 122-140 (numbered chḹ to jai), this is the sixth work in the bundle containing 11 texts (Pali MSS 18-28) from the Khuddakanikāya (Minor Collection or Collection of Little Texts): Khuddakapāṭha, Dhammapada, Udāna, Itivuttaka, Sutta-Nipāta, Vimānavatthu, Petavatthu, Theragāthā, Therīgāthā, Jātaka, Paṭisambhidāmagga. The text starts on the obverse of leaf "chḹ" [= folio 122a] and ends on the jai [= folio 140a] in all 37 folios. It commences with P?thavim?navatthu and ends with Serissakai-vim?navatthu (VII, 10). The last poem VII, 11 cannot be traced. Folios are not numbered; character numerals following the Sanskrit alphabetical order are used for numbering and these are written in the left-hand margin on the obverse of the leaf. Size: 70 mm x 620 mm, with margins 147 mm left and right, each folio with a single string through twin holes in each leaf holding them together, with two lacquered dark brown wooden boards as covers for all eleven manuscripts.
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