COLLECTION NAME:
Photography Collection
mediaCollectionId
Manchester~15~15
Photography Collection
Collection
true
Image Number:
JRL17082775
image_number
JRL17082775
Image Number
false
Reference Number:
VPH.6.33
reference_number
VPH.6.33
Reference Number
false
Series Title:
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
title_series
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
Series Title
false
Parent Work Title:
Interior view of the morning room at Swan House, London, looking towards the fireplace. By Henry Bedford Lemere, 8th of July 1878
title_larger_entity
Interior view of the morning room at Swan House, London, looking towards the fireplace. By Henry Bedford Lemere, 8th of July 1878
Parent Work Title
false
Creator:
Lemere, Bedford Henry (Harry), 1865-1944
creator
Lemere, Bedford Henry (Harry), 1865-1944
Creator
false
Creator Role:
Photographer
creator_role
Photographer
Creator Role
false
Date Created:
1878-07-08
date_created
1878-07-08
Date Created
false
Image Sequence Number:
033
image_sequence_number
033
Image Sequence Number
false
Description:
Interior view of the morning room at Swan House, London, looking towards the fireplace. The room has busy floral patterned wallpaper and a large floral patterned rug covering most of the wooden floor. There are inbuilt cupboards and bookcases on either side of the fireplace, which has beautiful tiles on the surround and decorative medieval style images inlaid on the mantel. The over mantel and also the top of the bookcases has been used to display pottery. There is a large medieval inspired tapestry hanging on the wall. Against the wall is a wooden bench settee with an upholstered cushion and a fully upholstered chaise longue sits to the side of the fireplace. In the foreground of the image is a table designed by Philip Webb. Swan House was designed by the architect Richard Norman Shaw in 1876, and the owner Mr Wickham Flower hired the firm of designer William Morris to decorate the interior. It is still a private residence. There are some flaws in the print itself, likely sustained in the printing process rather than a flaw to the original plate or negative.
description
Interior view of the morning room at Swan House, London, looking towards the fireplace. The room has busy floral patterned wallpaper and a large floral patterned rug covering most of the wooden floor. There are inbuilt cupboards and bookcases on either side of the fireplace, which has beautiful tiles on the surround and decorative medieval style images inlaid on the mantel. The over mantel and also the top of the bookcases has been used to display pottery. There is a large medieval inspired tapestry hanging on the wall. Against the wall is a wooden bench settee with an upholstered cushion and a fully upholstered chaise longue sits to the side of the fireplace. In the foreground of the image is a table designed by Philip Webb. Swan House was designed by the architect Richard Norman Shaw in 1876, and the owner Mr Wickham Flower hired the firm of designer William Morris to decorate the interior. It is still a private residence. There are some flaws in the print itself, likely sustained in the printing process rather than a flaw to the original plate or negative.
Description
false
Keyword:
Victorian House; William Morris; Arts and Crafts.
keyword
Victorian House; William Morris; Arts and Crafts.
Keyword
false
Subject:
Architecture
subject
Architecture
Subject
false
Subject:
Country homes--Great Britain
subject
Country homes--Great Britain
Subject
false
Subject:
Interior decoration -- Great Britain
subject
Interior decoration -- Great Britain
Subject
false
Subject:
Photography--History--19th century
subject
Photography--History--19th century
Subject
false
Category of Material:
Visual
category
Visual
Category of Material
false
Sub-Category:
Analogue photography
class
Analogue photography
Sub-Category
false
Sub-Category:
Cyanotypes (photographic prints)
class
Cyanotypes (photographic prints)
Sub-Category
false
Technique Used:
Blueprint process
technique
Blueprint process
Technique Used
false
Support:
Paper
support
Paper
Support
false
Creation Site:
England: Greater London: London: Kensington and Chelsea: Chelsea
location_creation_site
England: Greater London: London: Kensington and Chelsea: Chelsea
Creation Site
false
Time Period Covered:
19th Century CE
temporal_coverage
19th Century CE
Time Period Covered
false
Places Covered:
England: Greater London: London: Kensington and Chelsea: Chelsea
spatial_coverage
England: Greater London: London: Kensington and Chelsea: Chelsea
Places Covered
false
Item Height:
220 mm
item_height
220 mm
Item Height
false
Item Width:
274 mm
Current Repository:
The University of Manchester Library, U.K.
current_repository
The University of Manchester Library, U.K.
Current Repository
false
Provenance:
Thomas Maileander, Artist
former_repository
Thomas Maileander, Artist
Provenance
false
Rights Holder - Image:
The University of Manchester Library
Access Rights:
Bibliography:
bibliographic_citation
<A href="https://luna.manchester.ac.uk/luna/servlet/s/h8b3g8 ">Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s.</a>
Bibliography
false
Notes:
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
notes
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
Notes
false
Date Captured (yyyy-mm-dd):
2017-08-23
Image Creation Technique:
Digital capture by The University of Manchester Library
Date Image Added (yyyy-mm):
2017-08
Metadata Language:
eng-GB
Collection Code:
Photography
collection_code
Photography
Collection Code
false