Illustrated ragamala, late C18th or early C19th. The first few folios are just the ragas listed in simple verse forms, and then the paintings bound into an album with exceptionally simple, factual descriptions above each raga. The ragas are the standard six, but the raginis, of which there are 5 per raga, are called "bharjas" بهارجه and the sons, of which there are 5 per raga (with the exception of Megh Mallar, which has none), are called "farzand" فرزند. From Sri onwards (right to left) a couple of folios are out of place.
Contents:
Bhairav wives: Dhanashri; Bhairavi; Sadhavi (spelled sad-alef-dal-he-vav-ye), Marvi; Asavari. farzand: Nad Bhairav; Lalit; Parj (Birj?) Barpu; Syam Pancham; Bengal.
Hindol (king on swing with 4 female attendants)
wives: Bhupali; Barari; Todi (usual iconography); Pritham Manjari; Turk Todi; farzand: Basant; Suddh Bengal; Syam Bengal (v similar to Suddh Bengal); Seemnat; Kamoda (?)
description
Illustrated ragamala, late C18th or early C19th. The first few folios are just the ragas listed in simple verse forms, and then the paintings bound into an album with exceptionally simple, factual descriptions above each raga. The ragas are the standard six, but the raginis, of which there are 5 per raga, are called "bharjas" بهارجه and the sons, of which there are 5 per raga (with the exception of Megh Mallar, which has none), are called "farzand" فرزند. From Sri onwards (right to left) a couple of folios are out of place.
Contents:
Bhairav wives: Dhanashri; Bhairavi; Sadhavi (spelled sad-alef-dal-he-vav-ye), Marvi; Asavari. farzand: Nad Bhairav; Lalit; Parj (Birj?) Barpu; Syam Pancham; Bengal.
Hindol (king on swing with 4 female attendants)
wives: Bhupali; Barari; Todi (usual iconography); Pritham Manjari; Turk Todi; farzand: Basant; Suddh Bengal; Syam Bengal (v similar to Suddh Bengal); Seemnat; Kamoda (?)
Description
false