COLLECTION NAME:
Photography Collection
mediaCollectionId
Manchester~15~15
Photography Collection
Collection
true
Image Number:
JRL17082719
image_number
JRL17082719
Image Number
false
Reference Number:
VPH.6.5
reference_number
VPH.6.5
Reference Number
false
Series Title:
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
title_series
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
Series Title
false
Parent Work Title:
Interior view showing the great hall at Astley Hall, Chorley. By Henry Bedford Lemere
title_larger_entity
Interior view showing the great hall at Astley Hall, Chorley. By Henry Bedford Lemere
Parent Work Title
false
Creator:
Lemere, Bedford Henry (Harry), 1865-1944
creator
Lemere, Bedford Henry (Harry), 1865-1944
Creator
false
Creator Role:
Photographer
creator_role
Photographer
Creator Role
false
Date Created:
c1900
date_created
c1900
Date Created
false
Image Sequence Number:
005
image_sequence_number
005
Image Sequence Number
false
Description:
Interior view showing the great hall at Astley Hall, Chorley. The great hall has an immensely ornate 17th century plasterwork ceiling containing many putti (cherubs) which are just detectable in the print. There is fine oak furniture and partial wooden panelling featuring arches and columns visible in the hall. The highly decorative staircase also dates from the 17th century and has a carved acanthus scroll balustrade and square newels topped with vases of flowers. A large lantern style light hangs in the centre of the hall. There is a large fireplace with a carve feature overmantel. Above the fireplace is a mounted deer head. The Charnock family built the original timber-framed Astley Hall in the late 15th century. In 1665, Margaret Charnock married Richard Brooke (of Mere) and they built the present frontage to the property in the 17th century. The property remained with the Brooke family until moving through marriage into the Parker family in the 18th century. It was inherited by Reginald Tatton, nephew by marriage to the Parkers in 1906. In 1922 the house and its contents were given to Chorley Corporation by Reginald, as a memorial to the local men killed in World War I. It has since been maintained as a museum.
description
Interior view showing the great hall at Astley Hall, Chorley. The great hall has an immensely ornate 17th century plasterwork ceiling containing many putti (cherubs) which are just detectable in the print. There is fine oak furniture and partial wooden panelling featuring arches and columns visible in the hall. The highly decorative staircase also dates from the 17th century and has a carved acanthus scroll balustrade and square newels topped with vases of flowers. A large lantern style light hangs in the centre of the hall. There is a large fireplace with a carve feature overmantel. Above the fireplace is a mounted deer head. The Charnock family built the original timber-framed Astley Hall in the late 15th century. In 1665, Margaret Charnock married Richard Brooke (of Mere) and they built the present frontage to the property in the 17th century. The property remained with the Brooke family until moving through marriage into the Parker family in the 18th century. It was inherited by Reginald Tatton, nephew by marriage to the Parkers in 1906. In 1922 the house and its contents were given to Chorley Corporation by Reginald, as a memorial to the local men killed in World War I. It has since been maintained as a museum.
Description
false
Keyword:
Cherubs; Putti; Fireplace.
keyword
Cherubs; Putti; Fireplace.
Keyword
false
Subject:
Architecture
subject
Architecture
Subject
false
Subject:
Country homes--Great Britain
subject
Country homes--Great Britain
Subject
false
Subject:
Interior decoration -- Great Britain
subject
Interior decoration -- Great Britain
Subject
false
Subject:
Photography--History--19th century
subject
Photography--History--19th century
Subject
false
Category of Material:
Visual
category
Visual
Category of Material
false
Sub-Category:
Analogue photography
class
Analogue photography
Sub-Category
false
Sub-Category:
Cyanotypes (photographic prints)
class
Cyanotypes (photographic prints)
Sub-Category
false
Technique Used:
Blueprint process
technique
Blueprint process
Technique Used
false
Support:
Paper
support
Paper
Support
false
Creation Site:
England: Lancashire: Chorley
location_creation_site
England: Lancashire: Chorley
Creation Site
false
Time Period Covered:
19th Century CE
temporal_coverage
19th Century CE
Time Period Covered
false
Places Covered:
England: Lancashire: Chorley
spatial_coverage
England: Lancashire: Chorley
Places Covered
false
Item Height:
217 mm
item_height
217 mm
Item Height
false
Item Width:
274 mm
Current Repository:
The University of Manchester Library, U.K.
current_repository
The University of Manchester Library, U.K.
Current Repository
false
Provenance:
Thomas Maileander, Artist
former_repository
Thomas Maileander, Artist
Provenance
false
Rights Holder - Image:
The University of Manchester Library
Access Rights:
Bibliography:
bibliographic_citation
<A href="https://luna.manchester.ac.uk/luna/servlet/s/h8b3g8 ">Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s.</a>
Bibliography
false
Notes:
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
notes
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
Notes
false
Date Captured (yyyy-mm-dd):
2017-08-23
Image Creation Technique:
Digital capture by The University of Manchester Library
Date Image Added (yyyy-mm):
2017-08
Metadata Language:
eng-GB
Collection Code:
Photography
collection_code
Photography
Collection Code
false