Detail View: Photography Collection:
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Image Number:
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JRL17082713
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Reference Number:
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VPH.6.2
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Series Title:
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Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
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Parent Work Title:
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Interior view showing the salon or picture gallery, looking towards the entrance at Dawpool, Thurstaston. By Henry Bedford Lemere, February 1896
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Creator:
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Lemere, Bedford Henry (Harry), 1865-1944
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Creator Role:
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Photographer
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Date Created:
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1896-02
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Image Sequence Number:
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002
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Description:
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Interior view showing the salon or picture gallery at Dawpool House, Thurstaston. Dante Gabriel Rossetti’s The Loving Cup (1867) stands in the picture gallery on the right. At the far end of the salon is the gallery area above an ornate screen or partition. The screen is intricately carved and features arcading. The salon has a barrel vaulted ceiling and ornate plasterwork, a strapwork design hosts merfolk, cornucopias and grotesque faces. There are many other paintings (unidentified) on display, as well as fine examples of Victorian furniture visible. Thomas Henry Ismay, chairman of the White Star Line, purchased The Loving Cup at the sale of Frederick Richards Leyland’s estate at Christies, 28th May 1892 (lot 58) and is now held at The National Museum of Western Art, Tokyo. Dawpool House was designed by the renowned architect Richard Norman Shaw for Ismay and his wife Margaret. The couple also worked closely with John Aldam Heaton on the decoration, which was inspired by contemporary fashion. They moved in to their new home in 1884 but after Ismay’s death in 1899, the family were unenthusiastic about continuing to live there and sold it to F. W. P. Rutter. Having served a stint as an officer’s orthopaedic hospital during the First World War, the house was demolished in 1926 or 1927.
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Keyword:
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Victorian; Salon; Art; Rossetti; Pre-Raphaelites; Shipping.
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Subject:
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Architecture
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Subject:
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Country homes--Great Britain
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Subject:
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Interior decoration -- Great Britain
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Subject:
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Photography--History--19th century
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Category of Material:
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Visual
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Sub-Category:
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Analogue photography
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Sub-Category:
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Cyanotypes (photographic prints)
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Technique Used:
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Blueprint process
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Support:
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Paper
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Creation Site:
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England: Merseyside: Wirral: Thurstaston
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Time Period Covered:
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19th Century CE
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Places Covered:
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England: Merseyside: Wirral: Thurstaston
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Item Height:
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238 mm
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Item Width:
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284 mm
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Current Repository:
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The University of Manchester Library, U.K.
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Provenance:
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Thomas Maileander, Artist
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Rights Holder - Image:
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The University of Manchester Library
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Access Rights:
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Bibliography:
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Notes:
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Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
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Date Captured (yyyy-mm-dd):
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2017-08-23
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Image Creation Technique:
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Digital capture by The University of Manchester Library
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Date Image Added (yyyy-mm):
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2017-08
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Metadata Language:
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eng-GB
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Collection Code:
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Photography
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