COLLECTION NAME:
Photography Collection
mediaCollectionId
Manchester~15~15
Photography Collection
Collection
true
Image Number:
JRL17082729
image_number
JRL17082729
Image Number
false
Reference Number:
VPH.6.10
reference_number
VPH.6.10
Reference Number
false
Series Title:
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
title_series
Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s
Series Title
false
Parent Work Title:
Interior view of the fireplace in the magistrates' room at the Victoria Law Courts, Birmingham, By Henry Bedford Lemere, September 1891
title_larger_entity
Interior view of the fireplace in the magistrates' room at the Victoria Law Courts, Birmingham, By Henry Bedford Lemere, September 1891
Parent Work Title
false
Creator:
Lemere, Bedford Henry (Harry), 1865-1944
creator
Lemere, Bedford Henry (Harry), 1865-1944
Creator
false
Creator Role:
Photographer
creator_role
Photographer
Creator Role
false
Date Created:
1891-09
date_created
1891-09
Date Created
false
Image Sequence Number:
010
image_sequence_number
010
Image Sequence Number
false
Description:
Interior view of the fireplace in the magistrates' room at the Victoria Law Courts, Birmingham. The carved stone fireplace is as high as the ceiling and bears the coat of arms of Birmingham. The crest depicts a man's arm holding a hammer, symbolising industry and the supporting figures are a male figure (dressed as a blacksmith) again, representing industry and a female figure (holding a book and painter's palette) representing art. Part of a beautiful strapwork plaster ceiling is just visible, as well as partial wooden panelling along the walls. The stunning court building was designed by Aston Webb & Ingress Bell of London after an open competition in 1886, which was assessed by the architect Alfred Waterhouse. Built by Birmingham firm, John Bowen and Sons, the courts were opened on 21 July 1891 by the Prince and Princess of Wales. The foundation stone had been laid by Queen Victoria on 23 March 1887 in her Golden Jubilee year and a statue of her by Harry Bates surmounts the main entrance. Other figures are by sculptor William Silver Frith to designs by Walter Crane. There is some slight fading to the print.
description
Interior view of the fireplace in the magistrates' room at the Victoria Law Courts, Birmingham. The carved stone fireplace is as high as the ceiling and bears the coat of arms of Birmingham. The crest depicts a man's arm holding a hammer, symbolising industry and the supporting figures are a male figure (dressed as a blacksmith) again, representing industry and a female figure (holding a book and painter's palette) representing art. Part of a beautiful strapwork plaster ceiling is just visible, as well as partial wooden panelling along the walls. The stunning court building was designed by Aston Webb & Ingress Bell of London after an open competition in 1886, which was assessed by the architect Alfred Waterhouse. Built by Birmingham firm, John Bowen and Sons, the courts were opened on 21 July 1891 by the Prince and Princess of Wales. The foundation stone had been laid by Queen Victoria on 23 March 1887 in her Golden Jubilee year and a statue of her by Harry Bates surmounts the main entrance. Other figures are by sculptor William Silver Frith to designs by Walter Crane. There is some slight fading to the print.
Description
false
Keyword:
Fireplace; Victorian; Public buildings; Victorian Assize Court; Victorian Court House; Conference Room; Sitting Room.
keyword
Fireplace; Victorian; Public buildings; Victorian Assize Court; Victorian Court House; Conference Room; Sitting Room.
Keyword
false
Subject:
Architecture
subject
Architecture
Subject
false
Subject:
Country homes--Great Britain
subject
Country homes--Great Britain
Subject
false
Subject:
Interior decoration -- Great Britain
subject
Interior decoration -- Great Britain
Subject
false
Subject:
Photography--History--19th century
subject
Photography--History--19th century
Subject
false
Category of Material:
Visual
category
Visual
Category of Material
false
Sub-Category:
Analogue photography
class
Analogue photography
Sub-Category
false
Sub-Category:
Cyanotypes (photographic prints)
class
Cyanotypes (photographic prints)
Sub-Category
false
Technique Used:
Blueprint process
technique
Blueprint process
Technique Used
false
Support:
Paper
support
Paper
Support
false
Creation Site:
England: Birmingham
location_creation_site
England: Birmingham
Creation Site
false
Time Period Covered:
19th Century CE
temporal_coverage
19th Century CE
Time Period Covered
false
Places Covered:
England: Birmingham
spatial_coverage
England: Birmingham
Places Covered
false
Item Height:
287 mm
item_height
287 mm
Item Height
false
Item Width:
238 mm
Current Repository:
The University of Manchester Library, U.K.
current_repository
The University of Manchester Library, U.K.
Current Repository
false
Provenance:
Thomas Maileander, Artist
former_repository
Thomas Maileander, Artist
Provenance
false
Rights Holder - Image:
The University of Manchester Library
Access Rights:
Bibliography:
bibliographic_citation
<A href="https://luna.manchester.ac.uk/luna/servlet/s/h8b3g8 ">Intérieurs Anglais, an album of 50 cyanotypes of British house interiors by Bedford Lemere & Co. 1880’s-1890’s.</a>
Bibliography
false
Notes:
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
notes
Worldcat lists one complete set of Intérieurs Anglais, at the Stiftung Bibliothek Werner Oechslin, Switzerland. Another complete set is owned by Yale University, located at the British Art Center, Folio A 2014 71. The Getty Research Institute holds 82 of the set of 86 cyanotypes (lacking nos. 10, 65, 67 and 81). The Royal Institute of British Architects have eight photographs from this series also in cyanotype, with the same numbering 1-68 (nos. 1, 7, 37, 49, 58, 61, 66 and 67).
Notes
false
Date Captured (yyyy-mm-dd):
2017-08-23
Image Creation Technique:
Digital capture by The University of Manchester Library
Date Image Added (yyyy-mm):
2017-08
Metadata Language:
eng-GB
Collection Code:
Photography
collection_code
Photography
Collection Code
false